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Past Exhibitions

Casually Not Okay, 2020
Shiftspace Gallery

Casually Not Okay is a continuation of my process to reclaim time spent in self-doubt. (See blog post below for exhibition: Flow). Here, the red line remained a signifier for every hour, but I had begun incorporating more materials, textures, colors to reflect the change in my practice and in my life as time went on. A process that started very tranquil became more messy, more fun, and a celebration of becoming something new. The red line became harder and harder to point out, blending into the rest. I got into distance running, almost as an extension of my artistic practice. My life was my art. I was weaving, running, and my thoughts began to change. Both my art and running practices became a discipline. It was fun, rewarding, required endurance and perseverance, was painful at times, but it all flowed together. Running and participating in races solidified the reality that yes, it is an individual effort, but there is a community alongside you. You are not alone. Running and weaving together made me see that little moments lead to where you are at now, and the potential to reach a new destination or mindset does not end if you just keep going. This installation celebrates not only the journey to letting go of crippling perfectionism, but also creates a space that lends itself to playfulness, movement, and exploration.

Fabricated Joy
2018

Created during a time of longing for something better, or for a certain feeling. This piece was my first exploration of weaving as painting in space.

Flow, 2019
Steckline Gallery

Fifty-three hours of reclaimed time are represented in this installation of handwoven and hand-dyed textiles. To heal and make sense of unmet expectation, I began reflecting on where those expectations came from. Many times, I felt as though I did not measure up. As I leaned into this, I read through old prayer journals that I had kept on my bookshelf from years past, and I saw a glaring theme: I am the one who is so hard on myself. Granted, there are outside factors that contribute, but overwhelmingly, I was my own worst enemy. Using those journals as a data source, I counted 730 separate times when I wrote that I did not feel like enough - in my friend group, at school, in my job, in my family, as a woman, in the church, and in life. So, I decided to make some changes. Maybe you can relate. We can all be hard on ourselves at times. My studio practice became my way of processing that realization. If I had spent that much time striving for some perceived perfection, then I wanted to spend even more time turning those thoughts around in gratitude and thankfulness for where I am now, and the woman I am continually becoming. Weaving naturally became the outlet for reclaiming this time. Weaving is a meditative process and gives opportunity to examine your thoughts, or to let your mind wonder as you pass the shuttle through, side to side, back and forth, over and over again, as lines on a journal. It allowed for keeping focused on a repetitive action while simultaneously allowing for mindless play. I wove a red line for every hour that passed, in celebration of the journey to giving myself more grace. The weavings are paintings in space, flowing naturally when a viewer walks through.

Fabricated Joy
2018

Created during a time of longing for something better, or for a certain feeling. This piece was my first exploration of weaving as painting in space.

Casually Not Okay, 2020
Shiftspace Gallery

Casually Not Okay is a continuation of my process to reclaim time spent in self-doubt. (See blog post below for exhibition: Flow). Here, the red line remained a signifier for every hour, but I had begun incorporating more materials, textures, colors to reflect the change in my practice and in my life as time went on. A process that started very tranquil became more messy, more fun, and a celebration of becoming something new. The red line became harder and harder to point out, blending into the rest. I got into distance running, almost as an extension of my artistic practice. My life was my art. I was weaving, running, and my thoughts began to change. Both my art and running practices became a discipline. It was fun, rewarding, required endurance and perseverance, was painful at times, but it all flowed together. Running and participating in races solidified the reality that yes, it is an individual effort, but there is a community alongside you. You are not alone. Running and weaving together made me see that little moments lead to where you are at now, and the potential to reach a new destination or mindset does not end if you just keep going. This installation celebrates not only the journey to letting go of crippling perfectionism, but also creates a space that lends itself to playfulness, movement, and exploration.

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